Rick Amor

An Online Catalogue Raisonné of the Prints by Irena Zdanowicz

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  • Seated nude

Seated nude 1995

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I. 1st state of 2

II.b. Artist’s proof of 2nd and final state, on buff paper (Featured Image)

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E.092 Seated nude 1995

  • I. 1st state of 2

    Drypoint. A slender female model is seated on the ground; she faces left and is supported by her left arm. Her left leg is tucked beneath her; her right leg is bent at the knee, on which rests her extended right arm. There is a patch of shadow on the ground beneath the figure. The subject is summarily scored in drypoint.

    Impression on wove BFK Rives paper, printed by Rick Amor in his Alphington studio. Inscribed in pencil, below the plate mark: lower left: ‘1 [circled]’; lower centre: ‘Seated Nude’; lower right: signed and dated ‘Rick Amor ’95’.

     

  • II. 2nd and final state

    The contours of the body have been better defined, and some modelling of the figure has been added. The shaded area of the ground is now darker. There are two variant impressions of this state.

    1. Impression on wove BFK Rives paper with watermark, printed by Rick Amor in his Alphington studio. Inscribed in pencil, below the plate mark: lower left: ‘2 [circled]’; lower centre: ‘Seated Nude’; lower right: signed and dated ‘Rick Amor ’95’.
    2. Impression on buff wove BFK Rives paper with watermark, printed by Rick Amor in his Alphington studio. Inscribed in pencil, below the plate mark: lower left: ‘AP I’; lower centre: ‘Seated Nude’; lower right: signed and dated ‘Rick Amor ’95’. (Featured Image)
  • II.b. Artist’s proof of 2nd and final state, on buff paper (Featured Image)

    The contours of the body have been better defined, and some modelling of the figure has been added. The shaded area of the ground is now darker. There are two variant impressions of this state.

  • No edition

  • Comment

    This is an exercise in executing a life drawing in drypoint, by working directly onto the plate with the drypoint needle, in front of the model. The first state was worked during the life session; the second state was completed later.

Drypoint. A slender female model is seated on the ground; she faces left and is supported by her left arm. Her left leg is tucked beneath her; her right leg is bent at the knee, on which rests her extended right arm. There is a patch of shadow on the ground beneath the figure. The subject is summarily scored in drypoint.

The contours of the body have been better defined, and some modelling of the figure has been added. The shaded area of the ground is now darker. There are two variant impressions of this state.

Catalogue Number
E.092
Title and Date
Seated nude 1995
Description of Featured Image
A slender female model is seated on the ground; she faces left and is supported by her left arm. Her left leg is tucked beneath her; her right leg is bent at the knee, on which rests her extended right arm. There is a patch of shadow on the ground beneath the figure.
Where Made
Alphington, Melbourne
Medium Category and Technique
Intaglio Print: Drypoint on copper
Support
Wove paper. Identified papers: White and buff BFK Rives papers with watermarks: ‘BFK RIVES / FRANCE’ with infinity symbol.
Dimensions
Image size: 304 x 200 mm
Matrix size: 306 x 200 mm
Artist’s Record Number
RAE.91
Printer(s) and Workshop(s)
All impressions printed by Rick Amor in his Alphington studio.
Summary Edition Information
Two states. No edition.
Collections
State Library of Victoria, Melbourne: two state impressions, numbered 1 and 2.
Comment

This is an exercise in executing a life drawing in drypoint, by working directly onto the plate with the drypoint needle, in front of the model. The first state was worked during the life session; the second state was completed later.

Keywords
Nude, Woman
URL
https://catalogue.rickamor.com.au/works/intaglio/seated-nude/

Record last updated 15/02/2021
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  • About
  • Self portrait
  • Home
  • Home
  • Chronology
  • Interior
  • About
  • Acknowledgements
  • Contact
  • Catalogue
  • Guide to Entries
  • Man
  • Selected Bibliography
  • Guide to Entries
  • Selected Exhibitions
  • Contact
  • Collections
  • Printers & Workshops
  • The Project Team or Who Did What
  • Acknowledgements
  • Links
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