Rick Amor

An Online Catalogue Raisonné of the Prints by Irena Zdanowicz

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In Barri Gòtic 1991

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Edition impression, 1991 (Featured Image)

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E.052 In Barri Gòtic 1991

  • I. 1st and only state

    Etching and foul biting. A view of a tall and narrow, partly demolished building of five storeys, which adjoins another building on the right. In the shadows at the lower left stands a figure, who leans against the nearby wall, supporting himself with his outstretched arm. In the central foreground is a passer-by, who walks to the right, carrying a portfolio. There are three variant impressions of this, the only state.

    1. Impression with plate tone, on wove BFK Rives paper, printed by Rick Amor in his Dunmoochin studio. Inscribed in pencil, below the plate mark: lower left: ‘1 [circled]’; lower centre: ‘In Barri Gotic’; lower right: signed and dated ‘Rick Amor ’91’.
    2. Impression on wove BFK Rives paper, printed by Rick Amor in his Dunmoochin studio. Inscribed in pencil, below the plate mark: lower left: ‘AP I’; lower centre: ‘In Barri Gotic’; lower right: signed and dated ‘Rick Amor ’91’.
    3. Impression on stiff wove Spanish paper (according to Amor’s intaglio record books), printed by Rick Amor in his Dunmoochin studio. Inscribed in pencil, below the plate mark: lower left: ‘AP II’; lower centre: ‘In Barri Gotic’; lower right: signed and dated ‘Rick Amor ’91’.
  • Edition, 1991

    Variable edition of six numbered impressions, on stiff wove Spanish paper (according to Amor’s intaglio record books), printed by Rick Amor in his Dunmoochin studio. Each impression is inscribed in pencil, below the plate mark: lower left: ‘[1 through 6]/6’; lower centre: ‘In Barri Gotic’; lower right: signed and dated ‘Rick Amor ’91’.

    Edition sheet size: 318 x 224 mm

  • Edition impression, 1991 (Featured Image)

    Etching and foul biting. A view of a tall and narrow, partly demolished building of five storeys, which adjoins another building on the right. In the shadows at the lower left stands a figure, who leans against the nearby wall, supporting himself with his outstretched arm. In the central foreground is a passer-by, who walks to the right, carrying a portfolio.

  • Comment

    This etching, like cat. nos E.050 and E.051, was made by Amor following his Visual Arts/Craft Board (Australia Council) residency in Barcelona in 1991. E.052 is based on a sketchbook drawing, which also became the model for a finished drawing in pastel (1991), two oils (both painted in 1992) and a lithograph (1992).

    Barri Gòtic is the medieval, or ‘Gothic’, quarter in Barcelona. However, the view depicted in E.052 is not of one of the picturesque old streets of the district; instead, Amor shows an ugly, partly demolished building that had intrigued him as he walked through the area. His choice of subject matter is characteristic of an artist who is so often attracted by the unsightly corners of cities – places avoided or rejected by most. The man holding a portfolio under his arm at the lower centre is not a stock figure but an actual passer-by, observed by Amor as he drew the scene.

    E.052 was etched on the verso of the copper plate earlier used for the etching River, 1989, reworked 1991 (cat. no. E.011).

    For Amor’s other intaglio prints depicting Barcelona subjects, see cat. nos E.050, E.051 and E.060.

Etching and foul biting. A view of a tall and narrow, partly demolished building of five storeys, which adjoins another building on the right. In the shadows at the lower left stands a figure, who leans against the nearby wall, supporting himself with his outstretched arm. In the central foreground is a passer-by, who walks to the right, carrying a portfolio.

Catalogue Number
E.052
Title and Date
In Barri Gòtic 1991
Description of Featured Image
A view of a tall and narrow, partly demolished building of five storeys, which adjoins another building on the right. In the shadows at the lower left stands a figure, who leans against the nearby wall, supporting himself with his outstretched arm. In the central foreground is a passer-by, who walks to the right, carrying a portfolio.
Where Made
Dunmoochin, Cottles Bridge
Medium Category and Technique
Intaglio Print: Etching and foul biting on copper
Support
Wove paper. Identified papers: BFK Rives paper with watermark: ‘BFK RIVES / FRANCE’ with infinity symbol. According to Amor’s records he also used an unidentified Spanish wove paper.
Dimensions
Image size: 225 x 134 mm
Matrix size: 226 x 134 mm
Artist’s Record Number
RAE.48
Printer(s) and Workshop(s)
All impressions printed by Rick Amor in his Dunmoochin studio, Cottles Bridge.
Summary Edition Information
One state. Edition of six numbered impressions, 1991.
Collections
State Library of Victoria, Melbourne: one state impression, numbered 1; ed. 3/6.
National Gallery of Australia, Canberra: ed. 2/6 (2007.634).
Comment

This etching, like cat. nos E.050 and E.051, was made by Amor following his Visual Arts/Craft Board (Australia Council) residency in Barcelona in 1991. E.052 is based on a sketchbook drawing, which also became the model for a finished drawing in pastel (1991), two oils (both painted in 1992) and a lithograph (1992).

Barri Gòtic is the medieval, or ‘Gothic’, quarter in Barcelona. However, the view depicted in E.052 is not of one of the picturesque old streets of the district; instead, Amor shows an ugly, partly demolished building that had intrigued him as he walked through the area. His choice of subject matter is characteristic of an artist who is so often attracted by the unsightly corners of cities – places avoided or rejected by most. The man holding a portfolio under his arm at the lower centre is not a stock figure but an actual passer-by, observed by Amor as he drew the scene.

E.052 was etched on the verso of the copper plate earlier used for the etching River, 1989, reworked 1991 (cat. no. E.011).

For Amor’s other intaglio prints depicting Barcelona subjects, see cat. nos E.050, E.051 and E.060.

Keywords
Barcelona, Building
URL
https://catalogue.rickamor.com.au/works/intaglio/in-barri-gotic/

Record last updated 15/02/2021
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  • Home
  • Chronology
  • Interior
  • About
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  • Catalogue
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  • Man
  • Selected Bibliography
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  • Contact
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  • The Project Team or Who Did What
  • Acknowledgements
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