- Catalogue Number
- Title and Date
- Untitled (Skull, pram and woman) 1968
- Description of Featured Image
- A surreal concatenation of apparently unconnected motifs, including a skull atop a human form in shirt, tie and jacket; a child’s pram, with a little humanoid creature emerging from it; a young woman with blond wavy hair; a monstrous creature with eyes like polyps; and, at the upper left, a haggard visage, half hidden in shadows. The scene is set indoors, with a curtained window at the upper right looking onto a landscape with mountains on the horizon.
- Where Made
- National Gallery of Victoria Art School, Melbourne
- Medium Category and Technique
- Intaglio Print: Etching on copper
- Wove paper. Identified papers: No papers identified.
Image size: 262 x 222 mm
- Artist’s Record Number
- EX.1. Amor’s intaglio record books do not contain an entry for this work.
- Printer(s) and Workshop(s)
- All impressions printed by Rick Amor at the National Gallery of Victoria Art School, Melbourne.
- Summary Edition Information
- Three states. No edition.
- Niagara Galleries & NETS Victoria 1993–94: Niagara Galleries & NETS Victoria, Melbourne, Rick Amor & the Graphic Arts, Victorian and Tasmanian tour, 1993–94, no. 1, state II, as Untitled.
- Heide MoMA 2008: Heide Museum of Modern Art, Bulleen (Melbourne), Rick Amor: A Single Mind, 22 March – 13 July 2008, no. 1 (Prints & Drawings), artist’s proof (state II).
- Art Gallery of South Australia 2016–17: Art Gallery of South Australia, Adelaide, Rick Amor: Contemporary Romantic, 2 December 2016 – 30 April 2017 [no catalogue].
- Gary Catalano, Rick Amor & the Graphic Arts (exh. cat.), Niagara Galleries & NETS Victoria, Melbourne, 1993, pp. 2–3.
- Art Gallery of South Australia, Adelaide: AP (2nd state) (20155G129).
- National Gallery of Australia, Canberra: AP (1st state) (95.288) and AP (3rd state) (95.287) (as Not titled (nightmare scene – woman, skull and baby carriage)).
This is Rick Amor’s earliest surviving etching, and one of three extant etchings that were made in 1968, during Amor’s final year at the National Gallery of Victoria Art School. (The artist remembers making a fourth etching, earlier in 1968, depicting girls on a beach, but all impressions of this work appear to have been lost.) The blond-haired woman in E.001 is Angela Berrigan, Amor’s girlfriend at the time; she appears in another early etching (cat. no. E.003), as well as in relief prints and in paintings made at around the same date. The skull is present in other works of this period, notably a linocut, Thanatos and Eros, 1968, in which, as in this etching, it sits atop a body dressed in a shirt and tie.
Behind the sharp, clean contours of the pram lies the influence of Amor’s teacher John Brack (1920–1999), but it is Picasso whose presence is most palpable here. The face with eyes on protruding stems is that of a creature straight out of Picasso’s The dream and lie of Franco etchings, of 1937, while in the first state of E.001 the face at the upper left is clearly redolent of Picasso’s double face profiles of the 1930s.
What arises from this combination of motifs is an allusion to the theme of the cycle of life. The foetus-like creature in the pram is juxtaposed with the skull, while in the second and third states of the print the beautiful young woman at the lower right presents a contrast to the face at the upper left, which has become furrowed and ancient. In the midst of this imagery are the sapling tree and the flowers – symbols of fertility and rebirth.
In 1988, Amor began keeping an intaglio record book, in which he listed by number, and provided details of, his intaglio prints. The four etchings that he made in 1968 are not included in this record.
The copper plate on which E.001 was made has been lost.
- Female figure, Skull
Record last updated 17/09/2017