- Catalogue Number
- Title and Date
- Peripheral landscape 1998
- Description of Featured Image
- A bleak industrial landscape in Melbourne, in which a freeway is under construction. The view is dominated at the left by a giant concrete pillar constructed to support a flyover, while at the right are several electricity poles, as well as pools of water. In the distance are three smoking industrial chimneys.
- Where Made
- Alphington, Melbourne
- Medium Category and Technique
- Intaglio Print: Etching and burnishing on copper
- Wove paper. Identified papers: No papers identified.
Image size: 220 x 330 mm
Matrix size: 220 x 330 mm
- Artist’s Record Number
- Printer(s) and Workshop(s)
- All impressions printed by Rick Amor in his Alphington studio.
- Summary Edition Information
- Three states. Nominal edition of ten, but only three impressions printed and numbered, 1998.
- George Orwell, interviewed by Colin Wills, BBC Overseas Service, broadcast transcript, 2 December 1943: https://web.archive.org/web/20090717140817/http://www.netcharles.com/orwell/articles/wiganpier-bbc.htm.
- For illustrations of two paintings related to E.112, see Niagara Galleries, Rick Amor (exh. cat.), Niagara Galleries, Richmond, Victoria, 1998, cat. no. 16 (Study for ‘Peripheral landscape’, 1998), and cat. no. 27 (Small study for ‘Peripheral landscape’, 1998).
- For illustrations of a group of works closely related to E.112, see Peter Perry, Rick Amor: From Study to Painting (exh. cat.), Castlemaine Art Gallery and Historical Museum, Castlemaine, Victoria, 2013, unpaginated. These works are Construction, Footscray, 1998, oil on canvas; Initial sketch for ‘Study for “Peripheral landscape”’, 1998, pen and ink on sketchbook page; Western suburbs, 1998, watercolour; Study for ‘Peripheral landscape’, 1998, oil on canvas.
- State Library of Victoria, Melbourne: three state impressions, numbered 1 through 3; bon à tirer impression; unique impression.
- British Museum, London: ed. 3/10 (2006,0730.30).
E.112 depicts road building works during the construction of one of Melbourne’s toll roads – CityLink (1996–2000) – in the vicinity of Footscray, in the city’s inner west. The etching is one of several versions of the subject, which include paintings and drawings; all of the various versions originated in plein-air studies. E.112 followed on from two paintings that were exhibited at Niagara Galleries in 1998 (Niagara Galleries 1998). After Amor had made the print, he made a drawing of its subject, though with the view in reverse direction.
Urban wastelands and industrial views are important subjects in Amor’s art. They are always based on direct observation and on studies painted or drawn on the spot; however, when Amor uses these studies as the basis for other works, he often changes details and rearranges the features of the original scene. In the case of E.112, the subject combines aspects of two works done on the spot: an oil depicting a construction site in Footscray, and a watercolour depicting a view in the industrial western suburbs of Melbourne (both in Perry 2013).
As Amor worked through the three states of the etching, his major concern was to give a sense of solidity and weight to the giant pillar at left, and he achieved this largely through careful, progressive modelling with the burnisher. In printing the third state of E.112, he also produced a unique experimental impression (III.c): he took the copper plate through the press twice, printing an impression of the etching over an impression of the scratched verso of the plate. The result was an image that amplifies the ugliness, disorder and desolation of its subject.
Amor has referred to E.112 as an unconscious reimagining of the landscape described in George Orwell’s The Road to Wigan Pier (1937), a book that gives an account of the dire social conditions in northern England during the 1930s. Orwell later referred to Wigan as a place of slag heaps, a place ‘picked on as a symbol of the ugliness of the industrial areas’ (Orwell 1943).
Amor greatly admires George Orwell for his political beliefs as well as for the clarity of his thought and writing.
- City peripheries, CityLink, Freeway, Landscape - industrial, Roadworks
Record last updated 04/09/2017